Shylock is initially hesitant to do this, because he and Antonio … In 16th-century Venice, Bassanio (Joseph Fiennes) hopes to wed Portia (Lynn Collins). He explains how he has been living the high life, spending money frivolously, but now wants to pay off his debts honorably. Antonio responds that, on the "stage" of the world his part is to be "sad" (1.1.78–9). Having squandered his estate, he needs 3,000 ducats to subsidise his expenditures as a suitor. A summary of [SECTION] in William Shakespeare's The Merchant of Venice. Antonio, a leading merchant of Venice, is a wealthy, respected, and popular man. Gratiano interrupts that he would rather play the happy role of a "fool" (1.1.79) and teases Antonio, telling him to lighten up. Before leaving, though, Lorenzo notes that Antonio looks unwell. Antonio's generosity is boundless, and for Bassanio, he is willing to go to the full length of friendship, even if it means that he himself may suffer for it. The two men clearly care very deeply for one another. Bassanio, a young Venetian of noble rank, wishes to woo the beautiful and wealthy heiress Portia of Belmont. So, Portia must save Antonio’s life. When he realizes that Shylock is within his lawful rights, Antonio is ready to fulfill the bargain he entered into to help Bassanio. Antonio (Act 1, Scene 1) “I hold the world but as the world, Gratiano, A stage where every man must play a part, And mine a sad one.” Antonio (Act 1, Scene 1) “Let me play the fool.” Gratiano (Act 1, Scene 1) “You speak an infinite deal of nothing.” Bassanio (Act 1, Scene 1) … Learn exactly what happened in this chapter, scene, or section of The Merchant of Venice and what it means. Bassanio tells Antonio about his financial debt. Antonio is an honorable man. Lorenzo and Gratiano announce that they must depart, but will see Bassanio again at dinner. Both the central action of The Merchant of Venice — Shylock's attempt to revenge himself on the Christian Antonio —and the romantic subplot—between Bassanio and Portia —explore the relationship between law, mercy, and revenge.. Shakespeare's contemporary, the philosopher Francis Bacon, defined revenge as a "kind of wild justice." How Shakespeare Uses Cross-Dressing Antonio and Bassanio’s relationship reflects the theme of friendship throughout the play. Later, Bassanio approaches Shylock, a Jewish moneylender, to ask for three thousand ducats in Antonio’s name. If Antonio died for Bassanio, then the debt between them could never be settled. Cross-dressing in Shakespeare’s plays is a common technique used to progress the plot. Bassanio is the merchant Antonio’s “intimate friend” and the wealthy heiress Portia’s favored suitor. A young nobleman of Venice, Bassanio admits to living beyond his means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. To you, Antonio, I owe the most in money and in love, And from your love I have a warranty To unburden all my plots and purposes How to get clear of all the debts I owe. Bassanio would like to repay his friend, but so far he has been unable to do so. We take a look at the best female characters that dress as men: the top three cross-dressers in Shakespeare plays. Among his many friends is a young man named Bassanio, who owes Antonio a good deal of money. After Antonio is freed, both Antonio and Bassanio are indebted to Portia.
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