supported by 45 fans who also own “Ambient 1”, Pure happiness with just enough melancholy. The darker moments are greatly outnumbered by the sweeter -- or bittersweet -- however, though the harmonically structured closer, "Sleep," ends things with an organ lament in a minor key. “Concentrate” employs a more cutting synth sound, accompanied by minimalist percussion that gives it some propulsion. Having returned to Portland after living for a time in L.A., Hodges finished the album in his new home studio, getting input abroad from Janmat and Hoogerheide and at home from bandmates Shawn Glassford and Keil Corcoran to help flesh out the final renderings. Widely compatible with Network Streaming players and D/A Converter's (DAC). The release is a surprise and will be going live at midnight tonight EST. Before these last two releases it had been four years since they released their last project called Being No One, Going No Where. The cookie is used to personalize your user experience and … now to receive all the new Then, the pandemic came, and Hodges used the moment to work through his experiences and emotions by … Ambient 1 will take a turn in a different direction. Lists. STRFKR’s sound has morphed over the years through variations of hyper catchy, danceable pop, but this is something very different. It’ll be interesting to see what STRFKR comes up with next. It’s different and unique, and is clearly an experimental affair from the band. STRFKR. Hodges found himself in possession of new age cassettes from an estate sale and soon began spending time experimenting with a Prophet 5 synthesizer. Pure happiness with just enough melancholy. It works, to say the least. Ambient 1. Out now via Polyvinyl Records, Ambient 1 sounds very different from previous STRFKR efforts. Thank you for your understanding and patience. Going out on this ledge results in one of the band’s most rewarding songs, one that’s mysterious and lush but as intense as a secret being whispered in your ear. STRFKR Josh Hodges, the writer for the band was taking a trip in Joshua Tree while he experimented with a friend’s synthesizer. Honing in on the vibe of those songs, they were able to reinterpret those demos into something new, retaining the core elements of their sound as they routed it into new territory. Lead single “Never The Same” is warm and direct, with a straightforward delivery that highlights how vulnerable the band’s lyrics can be. will be a joy of a listen for any fans of STRKR. A fully instrumental, nearly 50-minute set, it includes murky atmospheric pieces as well as rhythmically and harmonically structured tracks, along with entries that fall somewhere in between. By complete chance, a European traveller who was crashing at Hodges’ house in L.A. while he was abroad connected him with some like-minded musicians in Amsterdam, Mathias Janmat and David Hoogerheide. Based on 5 ratings. An album eventually took shape, resulting in Ambient 1. fresh and fun. It’s both a departure from some of their earlier work, and an exploration of themes that have served the band well in the past. For a little shy of an hour, Ambient 1 drifts through softly glowing electronic instrumentals that extract the synth core from the group’s well established synth pop sound. Supported by Windows with software player from Media Monkey, JRiver, JPLAY). The uniquely transcendental album blurs the line between an electronic album and a meditation soundtrack. Landing, like much of the album, in the realm of an improvisatory étude, "Rainzow" starts things off with wistful arpeggiation alongside intermittent melodic lines and a left finger that marks what is probably best described as 3/8 time. Bandcamp New & Notable Nov 21, 2020, Bouncy synthpop from Melbourne duo Blisstake. Subscribe Critic Score. On Ambient 1 (STRFKR’s second release of the year and follow up to Future Past Life), the group forsakes lyrics in favor of a fully blissed out, analog leaning synth sound that takes the listener for a relaxed ride. “Kaleidoscope” and “Telescope” both whirl forward with a sense of anticipation, but never quite reach something that could resemble a “drop” or a climax. We are updating our release dates twice a week. STRFKR is releasing this album piggybacking on their latest release Future Past Life. All rights reserved. Nicolas Bougaieff’s The Upward Spiral (Mute) is such an amalgamation of sounds that it would be sort of …, Sophie Payten, better known as Gordi, makes music for moments of catharsis. On behalf of Polyvinyl Record Co., Feature.fm sets cookies that can identify you as a visitor. The entire album feels stuck on a cloud somewhere between earthbound rhythms and alien song structures doused in echo. Find album reviews, stream songs, credits and award information for Ambient 1 - STRFKR on AllMusic - 2020 Submit Correction. Album closer “Sleep” is a rich, lush track that sounds like a combination of a synth and a church organ. The songs are also instrumental, so the experience is completely based in getting lost in the sounds that the music provides. MQA Studio (Blue light) indicates the sound is identical to that of the original source material and has either been approved in the studio by the artist/producer or has been verified by the copyright owner. User Reviews. “Telescope” is spacey, chill, and dreamy. “Vergeten” serves as a brief interlude with organs that sounds like a church recording. Ambient 1 emerged when, after completing Future Past Life, STRFKR songwriter Josh Hodges immersed himself in ambient music. Bouncy synthpop from Melbourne duo Blisstake. Bandcamp New & Notable Nov 12, 2020, From the Bottom of the Well (Album, 2020)by XANI, Sprightly pop from Melbourne artist XANI that layers sweeping violin lines through glittery arrangements. “Zij Aan Zij” is dark and dissonant, furthering the experimental side of Ambient 1. Sprightly pop from Melbourne artist XANI that layers sweeping violin lines through glittery arrangements. We suggest, that you bookmark the album and use our Short List function.
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