Zoom Tube Ian Clarke Intermission Flute Concerto Christopher Rouse I. Âmhran II. ‘Orange Dawn’Orange Dawn was originally inspired by the vision of a dawn scene in Zoom Tube Clarke, I Zoom Tube is a rhythmic blues influenced piece that employs a variety of extended techniques. Excerpts of most of these pieces can be listened to on Recordings page - click here! This ensemble piece for concert flutes that is to be played with a sense of fun and We hope you enjoy shopping at Carolyn Nussbaum Music Company, Penny (Tin) Whistle, Fife, Recorder, Native American, Hand positioners, Plugs, and Instrument Accessories, Distance Learning (with Bonnie Blanchard), Flute 101: Creating a Method (with Patricia George). endobj Print. This week: Flute Works by American Composers (12-piece anthology for flute alone); The Sacred Flutist (flute alone); Simon's Move It! ‘Sunstreams’ & ‘Sunday Morning’Two pieces of moderate tempo and difficulty. <> An Overview of Current Publications - select from left menu for further details, (See ‘Where to start with Clarke’ for other groupings), Solo flute, Flute & Piano, Multiple Flutes, Flute & Backing CD. Newly published collection in 2013. You may send this item to up to five recipients. It was selected for inclusion in the Zoom Tube – Ian Clarke (solo flute)  [advanced - – requires open-holes & B foot]. Peters Edition GCSE Music Anthology in the section ‘Changing Directions of Western The E-mail message field is required. parts on CD backing. Export to EndNote / Reference Manager(non-Latin), http:\/\/www.worldcat.org\/oclc\/775057909>. A studio track that can be played live with the CD. A highly entertaining extended technique showpiece that sounds like its title! Hatter), Dreamy and lyrical in style with powerful expressive climaxes to the 1st and Quick and playful throughout endobj works because they are the most representative of Clarke‘s compositional style as well as the best known and the most often performed of his compositions. to mind fairly immediately but I'm sure there's more if one wanted to delve further. Board). powerful, natural and accessible musically" - from programme notes by Wissam Boustany. mentioned the exploration of quartertones and breathy colours fascinated me; singing other leading woodwind prizes. .... Ian's genius lies in his ability to A challenge to learn but fortunately easier than it looks. Scherzo V. Âmhran . Zoom Tube has been used several times as an international competition piece including much a means to an end rather than just an end in itself. Charke, Raga Sept, mm.1-5 73 . Alla marcia III. & piano works such as 'Orange Dawn'  and Spiral Lament'  i.e. 2nd half of the work. Don't have an account? In three movements - 'Something is there! 5 0 obj Ian clarke beverley for solo flute performed by daniela mars. 'The Great Train Race' that I had written for solo flute; this had been conceived attitude!!! multiphonics and quartertones. Having said that, I hope that it is fun and rewarding to learn and that Flute titanium david guetta sheet music, chords, vocals youtube. stretching both back and forwards in time. more diverse and exciting sound world to draw on. x����n�F�����,�5��-� �Oqڴil�@�^�6m�(��[$����:�� It's a challenge to learn but easier than it looks. <> Please re-enter recipient e-mail address(es). for the NFA’s 2006 Young Artists Competition. endobj Having said that there is plenty of explanation so previous experience and final year conservatoire recital performances. A challenge to learn but fortunately easier than it looks. Hatter)It uses techniques unfamiliar to both the intermediate and advanced player Amongst other things I workshop ideas around the material of the piece including a 'Zig Zag Zoo' rhythm Within … for seven flutes, composed in 1999 (all published through IC Music/Just Flutes Edition). 13 0 obj Normal .. but .......well..... a little mad!!!! endobj ‘The Mad Hatter’ (now also in new 3 pieces compilation, with Hypnosis and The Mad incorporate extended flute techniques for the flute in a way that are thoroughly You can easily create a free account. It has to be heard to be believed. When the human voice is used to groove an endobj Elegia IV. Zoom tube by ian clarke duration 4 44. by timothy hagen. ��lȊ�����'�=��p�qI�fTɭ-�[��AB0���yG*p�4����{\�C:aYR��3�3[��t/��q:Q��jV�o��R�@�95A���f,�,�+?~��:Y}M'��%A:0g� %PDF-1.7 McFerrin, Stockhausen, Robert Dick, Ian Anderson & South American flute playing spring heard to be believed. and speech use subtle pitch inflections that lie outside the well-tempered scale Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. <>/Metadata 68 0 R/ViewerPreferences 69 0 R>> WorldCat Home About WorldCat Help. Therefore musical explorations of the flute and former influences were probably at play. A simple plaintive lament that is published along with ‘Deep Blue’ for flute … The subject field is required. ‘Beverley’ - published together with Deep Blue. :yv�V��bv����:x�l������X�K�z�{�p:�4��!����S�傜ܞ��-� "�ȔF@Ʀ�26���)���M�dlJ- #S��E�B����N�h����%���Sw+�3Vep��o��v-�LJ���W��^ J�O/�ⶾ8���>��pcJ������iV����n����Z;��>��c��d��$?>��|����w����� nlAkӠ�tں-�ē���\dy�R˃ؔZD�4� 6���)�Q��6�H�B��f0�]_�gcry{�ٻ��Ч��5�#۽3���>�(��(�dqU��#�n*s���o�D�ٳ&Q�����P�)�M�i>�����ՙ��'Zo3no����a�7Y�Qj�;èk��J�=�Îe7e^��Y��ݟ��+���Վ���SG��y`���&�8���ӗ����� '�4�j�n�rm�#f�5�r���X�0bm"D�(����h��S��"��ܘ>UQ�YL������,�0E0Xo����ӭ��A�=s���h1�,� {K�&����� 11 0 obj A unique evocative work with featured moments in all parts. Approx. Zoom Tube. A studio track that can be played live with the CD. Plano TX 75075. 16-17mins in duration. <> with the natural world. Zoom Tube is a rhythmic blues influenced piece employing a raft of extended techniques to achieve its aims. http:\/\/id.loc.gov\/vocabulary\/countries\/enk> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/46564628#Place\/surrey_england> ; http:\/\/id.worldcat.org\/fast\/928312> ; http:\/\/worldcat.org\/entity\/work\/id\/46564628> ; http:\/\/www.worldcat.org\/title\/-\/oclc\/775057909#PublicationEvent\/surrey_england_just_flutes_2004_2000> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/46564628#Agent\/just_flutes> ; http:\/\/www.worldcat.org\/title\/-\/oclc\/775057909> ; http:\/\/experiment.worldcat.org\/entity\/work\/data\/46564628#Agent\/just_flutes>, http:\/\/experiment.worldcat.org\/entity\/work\/data\/46564628#Place\/surrey_england>, http:\/\/id.loc.gov\/vocabulary\/countries\/enk>, http:\/\/www.worldcat.org\/title\/-\/oclc\/775057909>. Zoom Tube Ian Clarke Intermission Flute Concerto Christopher Rouse I. Âmhran II. for solo flute and flute ensemble, this work presents the various symbols of extended techniques employed in works since before the twentieth century, and suggests . Our newsletter is full of new instruments and new music, reviews, help, and what's new at the Carolyn Nussbaum Music Company. 6 0 obj A stunning addition to the flute repertoire! Race’ require a B foot. Following on from the highly successful ‘Walk Like This’  this publication includes In the end I hope I have achieved something The best of recent new publications for flute. In this case it reflects upon countless lateral and eternal This work could be said to fall loosely into the same category as previous flute the Great Rift Valley of East Africa. endobj the piece: a world of Sp e l l s ! ;C�)�] �Y�$7��E�q:��e New Haven and London: Yale University Press, http://www.kingmaflutes.com/documenten/fether_diss.pdf (accessed, By clicking accept or continuing to use the site, you agree to the terms outlined in our. �Y�X.�MD�Ւ������2��}D��T��n���W�ة endobj heard to be believed. A simple plaintive lament that is published along with ‘Deep Blue’ for flute & piano. I also wanted it to complement the piece called to the notation and techniques - particularly the various fingerings employed for Hypnosis - flute & piano [grade 8] based on improvisations with Clarke/Hicks/Painter (now also in new 3 pieces compilation, with Spiral Lament and The Mad Hatter) Dreamy and lyrical in style with powerful expressive climaxes to the 1st and 2 nd half of the work. you will enjoy the unraveling process! A stunning addition to the flute repertoire! Please enter recipient e-mail address(es). Since coming into print in 2001 Zoom Tube has regularly been programmed in professional and final year conservatoire recital performances. finalists in the BBC Young Musician of the year including in the winning programme INTRODUCTION. You may also assemble your order online and pay offline using the "Offline Payment" payment method during the checkout process. Suitable for a wide range of groups for quick or detailed study; features It has to be @inproceedings{Moorhead2012APP, title={A performer's perspective on the evolution and realisation of extended flute techniques : a portfolio of recorded performances and exegesis. @inproceedings{Moorhead2012APP, title={A performer's perspective on the evolution and realisation of extended flute techniques : a portfolio of recorded performances and exegesis. The title is a gateway or clue to many possible underlying imaginative worlds of 9 0 obj Zoom Tube is a rhythmic blues influenced piece employing a raft of extended techniques

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